Monday, February 27, 2012

MEDIEVAL NAPLES

Medieval Naples, 400–1400: A Documentary History is the first comprehensive and most complete English-language collection of sources yet to treat the history of the city from late Antiquity to the beginnings of the Renaissance. Sources are drawn from the historical, economic, literary, artistic, religious and cultural life from the fall of Rome through the Byzantine, Lombard, Norman, Hohenstaufen and Angevin periods.
A new Introduction by Ronald G. Musto offers a comprehensive survey of the periods covered in the historical texts, with a discussion of the historiography and of important research and interpretive issues. These include the material development of the medieval city from Late Antiquity through the end of the Angevin period, the condition and use of the available primary sources and archaeological evidence, with particular attention given to the wide variety of recent excavations and of archival materials, the question of the ruralization and recovery of its urban core through the little known Ducal period — with some discussion of the city’s changing population — the question of Naples’ importance as a commercial and political capital, its developing economic and material base, and the question of its relationship to its hinterland on the one hand and to broader Mediterranean contexts on the other. It also surveys the changes in Naples’ grid plan, its walls and fortifications, its port, and its commercial and residential development.

Monday, February 13, 2012

MARIA TIPO

Naples - renowned for its musical heritage and its piano school (Thalberg and Vitale, mainly).
So... here's the great Maria Tipo! Magnificent interpreter of the Neapolitan school, born in 1931, maverick, elegant pianist. Of course Tipo is famous for her prize-winning Clementi, Scarlatti, Mozart and Bach discographic efforts. [...]
The pianist and pedagogue, Maria (Luisa) Tipo, gave her first public piano performance at the age of four. Her teacher was her mother, Ersilia Cavallo, herself a pupil of Ferruccio Busoni. She later received master-classes from Alfredo Casella and Guido Agosti. In 1948 she won 2nd prize (no 1st prize was given) at the Geneva International Competition, and returned in 1949 (age 17) to capture its 1st prize. In 1952 she won 3rd prize at the Queen Elisabeth of Belgium Competition in Brussels.
Maria Tipo's success led rapidly to invitations to all the major musical centers. In addition to her career as a concert pianist, Maria Tipo is a dedicaded teacher. Maria Tipo championed the cause of traditional Italian keyboard music.