How could one transform this lost spaces of migration into a new potential for the future whithout denying its past?
Prata Sannita will be perceived as a big diffuse hotel, which has some free rooms left: The abandoned spaces.
Occasionally they are filled with the protagonists of a new, much more contemporary kind of migration: the nomad of nowadays, the tourist, which in some moments can transform these spaces into a non-commercial version of a “Hotel”.


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